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	<title>Comments on: Going Through The Motions</title>
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	<description>Blogging by and for academic and research librarians</description>
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		<title>By: Andromeda</title>
		<link>http://acrlog.org/2009/12/08/going-through-the-motions/comment-page-1/#comment-146938</link>
		<dc:creator>Andromeda</dc:creator>
		<pubDate>Wed, 09 Dec 2009 19:08:42 +0000</pubDate>
		<guid isPermaLink="false">http://acrlog.org/?p=2137#comment-146938</guid>
		<description>I used to be a middle school Latin teacher, now in library school, possibly ending up in academic libraries, and I have to admit, part of what I&#039;m looking forward to is an easier audience.

How did I make it work in middle school...

Partly, I&#039;m just invigorated by being on a stage.  I have my public-speaker persona and it&#039;s more energetic and quicker on the uptake than my normal persona.

Partly it was relationship-driven -- they weren&#039;t just an audience, they were the kids I knew.  I was planning and delivering lessons with an eye toward specific people&#039;s needs and reactions, which made it different every time.  That doesn&#039;t work for one-shot presentations, although you might be able to draw on it for repeated presentations in front of similar audiences (&quot;there&#039;s always this one kid who...&quot;).

Partly I like Latin.  A lot.  I am genuinely and always excited about how awesome participles are.

Partly it was pacing.  You can&#039;t plan many activities that last more than 10ish minutes with a room full of middle school boys, so I was always switching gears, which meant I was always a bit adrenalin-fueled.  It&#039;s easy, I think, to lose steam if you&#039;re giving a straight-up talk for 45 minutes (I wouldn&#039;t know because you never get to do that in middle school!).  But if you&#039;re doing different things, involving the audience, there&#039;s always some freshness there, if only the sheer terror that you might forget what you meant to do next, or have to ad lib around some forgotten prop. ;)

And partly, yes, involving the audience.  If you&#039;re a performer your energy has to be partly their energy, so give them ways to show it...(Not a problem in middle school.  Actually the opposite was more likely to be a problem.  But once I learned to surf the chaos, to try to work with it rather than fight it, I felt better.)</description>
		<content:encoded><![CDATA[<p>I used to be a middle school Latin teacher, now in library school, possibly ending up in academic libraries, and I have to admit, part of what I&#8217;m looking forward to is an easier audience.</p>
<p>How did I make it work in middle school&#8230;</p>
<p>Partly, I&#8217;m just invigorated by being on a stage.  I have my public-speaker persona and it&#8217;s more energetic and quicker on the uptake than my normal persona.</p>
<p>Partly it was relationship-driven &#8212; they weren&#8217;t just an audience, they were the kids I knew.  I was planning and delivering lessons with an eye toward specific people&#8217;s needs and reactions, which made it different every time.  That doesn&#8217;t work for one-shot presentations, although you might be able to draw on it for repeated presentations in front of similar audiences (&#8220;there&#8217;s always this one kid who&#8230;&#8221;).</p>
<p>Partly I like Latin.  A lot.  I am genuinely and always excited about how awesome participles are.</p>
<p>Partly it was pacing.  You can&#8217;t plan many activities that last more than 10ish minutes with a room full of middle school boys, so I was always switching gears, which meant I was always a bit adrenalin-fueled.  It&#8217;s easy, I think, to lose steam if you&#8217;re giving a straight-up talk for 45 minutes (I wouldn&#8217;t know because you never get to do that in middle school!).  But if you&#8217;re doing different things, involving the audience, there&#8217;s always some freshness there, if only the sheer terror that you might forget what you meant to do next, or have to ad lib around some forgotten prop. <img src='http://acrlog.org/wp-includes/images/smilies/icon_wink.gif' alt=';)' class='wp-smiley' /> </p>
<p>And partly, yes, involving the audience.  If you&#8217;re a performer your energy has to be partly their energy, so give them ways to show it&#8230;(Not a problem in middle school.  Actually the opposite was more likely to be a problem.  But once I learned to surf the chaos, to try to work with it rather than fight it, I felt better.)</p>
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		<title>By: Christopher Verdak</title>
		<link>http://acrlog.org/2009/12/08/going-through-the-motions/comment-page-1/#comment-146908</link>
		<dc:creator>Christopher Verdak</dc:creator>
		<pubDate>Wed, 09 Dec 2009 04:25:01 +0000</pubDate>
		<guid isPermaLink="false">http://acrlog.org/?p=2137#comment-146908</guid>
		<description>If Iâ€™m going through the motions with a student (even though Iâ€™m delivering competent reference or instruction), I remind myself that Iâ€™m empowering the student and that the experience is indeed fresh for them.  I also remind myself of the larger goals of our profession and feel somewhat refreshed and engaged even in the face of the worse end of the day burnout.  

I also keep in mind that Iâ€™m always learning new ways to instruct and deliver reference services.  From time to time, I challenge myself to do better with each type or subject-area of reference, etc. in the course of a reference desk or virtual reference shift.  I also experiment with adding new resources and techniques to my repertoire often after being inspired by a good article.  Itâ€™s good to realize when you start treating all your users the same or sling out rote scripts that you should enjoy and engage users personally.  I remind myself that each interaction, information need, etc. is unique and that you are effecting and improving someoneâ€™s individual life and goals.  A laugh or smile are great rewards in our profession.

I agree that we can â€œcreate passionate usersâ€, and that the initial apathetic, bored, or impatient read you get from a student (or other customer) can soon turn to engagement and confidence, if you infuse the interaction with your own energy, confidence, and respect.  I find that an initially apathetic or impatient user is hindered by the negative assumption that the solution to their need (etc.) will be a â€œdragâ€ or that the librarian wonâ€™t understand how to help.  This anxiety and uncertainty (and even burnout) is alleviated only when I bring BOTH a solution to a need (logically speaking) and an engaged and positive delivery to the table.  Iâ€™ve experienced when I cogently answer a reference question or instruct in sleepwalking mode and get a blasÃ© or monotone â€œThanksâ€.  Body language and delivery really close the deal and instill confidence and engagement in our users.</description>
		<content:encoded><![CDATA[<p>If Iâ€™m going through the motions with a student (even though Iâ€™m delivering competent reference or instruction), I remind myself that Iâ€™m empowering the student and that the experience is indeed fresh for them.  I also remind myself of the larger goals of our profession and feel somewhat refreshed and engaged even in the face of the worse end of the day burnout.  </p>
<p>I also keep in mind that Iâ€™m always learning new ways to instruct and deliver reference services.  From time to time, I challenge myself to do better with each type or subject-area of reference, etc. in the course of a reference desk or virtual reference shift.  I also experiment with adding new resources and techniques to my repertoire often after being inspired by a good article.  Itâ€™s good to realize when you start treating all your users the same or sling out rote scripts that you should enjoy and engage users personally.  I remind myself that each interaction, information need, etc. is unique and that you are effecting and improving someoneâ€™s individual life and goals.  A laugh or smile are great rewards in our profession.</p>
<p>I agree that we can â€œcreate passionate usersâ€, and that the initial apathetic, bored, or impatient read you get from a student (or other customer) can soon turn to engagement and confidence, if you infuse the interaction with your own energy, confidence, and respect.  I find that an initially apathetic or impatient user is hindered by the negative assumption that the solution to their need (etc.) will be a â€œdragâ€ or that the librarian wonâ€™t understand how to help.  This anxiety and uncertainty (and even burnout) is alleviated only when I bring BOTH a solution to a need (logically speaking) and an engaged and positive delivery to the table.  Iâ€™ve experienced when I cogently answer a reference question or instruct in sleepwalking mode and get a blasÃ© or monotone â€œThanksâ€.  Body language and delivery really close the deal and instill confidence and engagement in our users.</p>
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		<title>By: Marilyn R. Pukkila</title>
		<link>http://acrlog.org/2009/12/08/going-through-the-motions/comment-page-1/#comment-146889</link>
		<dc:creator>Marilyn R. Pukkila</dc:creator>
		<pubDate>Tue, 08 Dec 2009 18:43:54 +0000</pubDate>
		<guid isPermaLink="false">http://acrlog.org/?p=2137#comment-146889</guid>
		<description>At a string quartet master class, I heard the master teacher ask a quartet after their piece, &quot;Were you thinking of your performance during that, or were you thinking of the music?&quot;  They admitted to thinking more about their performance, and the teacher said, &quot;Play it again, and this time, think only of the music.&quot;  They did, and the difference was deeply satisfying. 

 I remembered this at the Intentional Teacher program last week [big plug:  it was FANTASTIC!!!!] while in the midst of a discussion of a &quot;stuck&quot; place in my teaching, and realized how I could apply it.  Don&#039;t worry about what the students think of *me*; find the music of what I&#039;m showing them and focus on that.  If I&#039;m bored with it, or dismissive of it, why shouldn&#039;t they be as well?</description>
		<content:encoded><![CDATA[<p>At a string quartet master class, I heard the master teacher ask a quartet after their piece, &#8220;Were you thinking of your performance during that, or were you thinking of the music?&#8221;  They admitted to thinking more about their performance, and the teacher said, &#8220;Play it again, and this time, think only of the music.&#8221;  They did, and the difference was deeply satisfying. </p>
<p> I remembered this at the Intentional Teacher program last week [big plug:  it was FANTASTIC!!!!] while in the midst of a discussion of a &#8220;stuck&#8221; place in my teaching, and realized how I could apply it.  Don&#8217;t worry about what the students think of *me*; find the music of what I&#8217;m showing them and focus on that.  If I&#8217;m bored with it, or dismissive of it, why shouldn&#8217;t they be as well?</p>
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		<title>By: Wendy</title>
		<link>http://acrlog.org/2009/12/08/going-through-the-motions/comment-page-1/#comment-146882</link>
		<dc:creator>Wendy</dc:creator>
		<pubDate>Tue, 08 Dec 2009 14:33:06 +0000</pubDate>
		<guid isPermaLink="false">http://acrlog.org/?p=2137#comment-146882</guid>
		<description>Steven, I was there and saw both your keynote and the breakout. You were just as engaging with us as I&#039;m sure Mr. Science is with kids. I&#039;m glad I got to see your presentation and meet you.</description>
		<content:encoded><![CDATA[<p>Steven, I was there and saw both your keynote and the breakout. You were just as engaging with us as I&#8217;m sure Mr. Science is with kids. I&#8217;m glad I got to see your presentation and meet you.</p>
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